This thread is a continuation of the discussion in
this thread about the recently published novel by Tom De Haven,
It's Superman.
Be warned that I'm posting my observations and thoughts about the book as I read it - so there are going to be
LOTS OF SPOILERS.
You should hit your back button right now if you don't want to know all sorts of details about the book.
some space
I'll start off with an excerpt from the excerpt that's on the back cover of the book. This paragraph describes how Clark is in a canyon, experimenting and playing with his newfound ability to leap. The leaps get longer and longer until:
He doesn't notice when yet another long jump becomes a very high jump, but all of a sudden he's rising straight up into the air, the clouds. A small tickling electrical charge starts pulsing around his body, his velocity becoming so extravagant so quickly that his shirt and trousers and shoes all seethe from the friction. Without conscious thought, Clark tucks his head toward his left shoulder, makes a fist with his left hand, and his body immediately follows that direction. A few dozen starlings burst apart just moments before he passes through the flock.
He can fly!
This one section has some fantastic imagery with brilliant writing, and I think De Haven has also made some great additions to what it's like to fly (perhaps the electrical charge thing is from
Smallville, I don't know, not having seen much of the show), and the left fist leading Clark's direction is right out of the first Chris Reeve movie.
So far I've only just started chapter two and I may post more as I read more. I've already mentioned how strange it was at first to find a lot of contemporary elements (Police Chief Parker, etc) of the Superman mythology transposed back to the 1930s - to a
realistic 1930s - and I'm continually surprised by it, then I'm surprised by how well it works and how natural it feels, and then I'm surprised by what a great job the author has done in merging modern elements with the past and extrapolating.
The Pete Ross character (here named "Alger Lee", "Alger" presumably being a nod to author Horatio Alger - who wrote great boys' books and was mentioned by Maggin as being one of teenage Clark's favorite authors) seems to have been influenced by
Smallville - ie, Alger is a black kid who discovers Clark's secret powers, and he's probably the only black kid that Clark knows. And Alger lives in the poor black shanty section on the outskirts of the town - a realistic element of our history. He's not a close friend with Clark either, probably because of the unbelievable class and race barriers that existed at the time.
Lois is introduced in chapter two, and here she immediately reminded me of Margot Kidder's Lois and of Maggin's hyper-competent and driven Lois (that we saw in
Luthor's Gift) with her eyes on the prize. She's still a young girl of 17, but has skipped four grades of school, graduated college, and taken graduate courses in journalism.
